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You've selected:
Nocturne and Rondo Cello and Piano
Sheetmusic to print
3 sheet music found
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1
Nocturne and Rondo-Cello and Piano
Nocturne and Rondo-Cello and Piano
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Cello, Piano
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INTERMEDIATE
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Phil Beaman
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Nocturne and Rondo-Cello and P
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Phil Beaman
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.844595 Composed by Phil Beaman. 20th Century,Contemporary,New Age,Rock. Score and part. 10 pages. Phil Beaman #4110709. ...
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Cello,Piano - Level 3 - SKU: A0.844595 Composed by Phil Beaman. 20th Century,Contemporary,New Age,Rock. Score and part. 10 pages. Phil Beaman #4110709. Published by Phil Beaman (A0.844595). An original 21st Century piece which fuses influences from nearly every genre and period. The Nocturne showcases the performer's tone quality, particularly in the upper register. The melody has hints of Contemporary Classical, Post-Romantic, and New Age, but overall is Minimalist. The Piano Accompaniment in this section is entirely a 2 chord ostinato in the Right Hand only. The Rondo has continuity from the Nocturne in that the Piano Accompaniment continues with Right Hand only chords. This section is heavily rhythmic with West Indian/Caribbean rhythms and some pulsing Rock influence, yet still with characteristics of Contemporary Classical. This Nocturne and Rondo makes a great Audition piece to show your musicianship. Or a formal Recital performance piece. Nocturne - 64 mm, Andante, 4:30-5 min.Rondo - 61 mm, Allegro, 1:45-2 min. 7 page score, 3 page solo partTemporary recording of piano reduction of score.
$7.99 ≈
7.40€
Nocturne Op. 9 No. 2 for cello and piano (abridged)
Nocturne Op. 9 No. 2 for cello and piano (abridged)
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Cello, Piano
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INTERMEDIATE/ADVANCED
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Classical
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Frederic Chopin
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Klas Krantz
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Nocturne Op. 9 No. 2 for cello
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Amadeus Music
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.1206187 Composed by Frederic Chopin. Arranged by Klas Krantz. 19th Century,Classical,Romantic Period. Score and part. 4 ...
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Cello,Piano - Level 4 - SKU: A0.1206187 Composed by Frederic Chopin. Arranged by Klas Krantz. 19th Century,Classical,Romantic Period. Score and part. 4 pages. Amadeus Music #804384. Published by Amadeus Music (A0.1206187). F. Chopin (1810-1849) was a Polish composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music’s greatest tone poets.The popular nocturne is in rondo form. Thus the form can be written A A’ B A’ B A’ C. Unusually for a rondo, the tempo is andante, giving a tender, floating melody.
$4.95 ≈
4.59€
Nocturne for violin and orchestra
Nocturne for violin and orchestra
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Orchestra, Violin
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Classical
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Nocturne for violin and orches
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Schott Music - Digital
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SheetMusicPlus
Violin and orchestra - Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (18...
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Violin and orchestra - Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (1862-1918). Arranged by Robert Orledge. This edition: vocal/piano score. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q46518. Published by Schott Music - Digital
The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).
We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.
My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.
$19.99 ≈
18.52€
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Nocturne and Rondo Cello and Piano
